Description
This book aims to introduce His Royal Highness to the world of Indian Melodies. The author diligently notated the six principal Hindu Ragas using their native notation to authentically represent Hindu Music. To add an Oriental touch and visual appeal, he included emblematic representations of these Ragas. The Introduction covers essential topics for understanding these Ragas. In the Appendix, the author includes songs by Jujadeva, a young poet, suitable for welcoming the Prince. The author acknowledges the book’s limitations but hopes his unwavering loyalty compensates for any shortcomings in this royal offering. “Sangita” holds a complex meaning, representing the fusion of “gita” (song), “vadya” (instrument), and “nritya” (dance). Sangita Sastras are texts delving into the principles of vocal and instrumental music, along with guidelines for theatrical performances, seen as both a science and an art. Scientifically, it explores sound’s origin, “svaras” (musical notes), scale formation, rhythm, Raga composition, and theatrical style directions. As an art form, it guides voice and instrument training and dance movements. Sangita Sastra comprises theoretical and practical aspects, and its essence lies in stirring the heart. “Gita” has two types: “Mdrga” (sacred and uniform) and “Desi” (local, with varying styles).
