Description
The narrative posits the notion that the devil is a human creation rather than a tangible entity. Penned post-Siberian exile, this politically charged satire by Dostoevsky sheds light on the prevalent nihilism in 1860s Russia. The plot unfolds in a fictional town embroiled in a failed revolution led by mastermind Pyotr Verkhovensky. Nikolai Stavrogin, an enigmatic aristocrat, wields significant influence over the characters. Representing the idealistic 1840s generation influenced by Western ideology is Stephan Verkhovensky, Pyotr’s father and Stavrogin’s mentor, labeled both creators and unwitting enablers of the town’s descent into darkness.
