MALE IMAGE, FEMALE GAZE: Men in Shashi Deshpande’s Fiction

Shashi Deshpande’s novels have frequently been analysed through the traditional feminist framework, an attempt sometimes contested by the writer, although she writes unambiguously from the female point of view.

Male Image, Female Gaze analyses Deshpande’s apparently dichotomous stance and elaborates on her departure from the limited scope of theoretical assumptions. It focuses on her understanding of contextual peculiarities and the need to affect sustainable shifts from within social and relational structures. Instead of viewing men as antagonists, she therefore considers the possibility of men as a medium for an integrated and inclusive change. The intricate working of the resistant male psyche is observed and tackled not from a belligerent but an analytical point of view. Deshpande’s purpose is to locate constraints on masculine identity which hamper the reshaping of the gender paradigm, and to consider factors which could impel men to move out of them.

The book analyses Deshpande’s portrayal of husbands, brothers, sons and fathers to throw light on the slow pace of social change, as it works its way through underlying psychological conflicts and crises of identities. It also brings to focus, her assessment of the inbuilt flexibility of human nature which eventually adapts to changing situations, creating openings where none existed.

Manpreet J.Singh has worked on Indian English writing, having researched on Shashi Deshpande for her Ph.D. and Anita Desai for M.Phil. Her areas of study include literary trends which work towards bridging the gap between theory and social reality. Her method of work involves tracing patterns which emerge through the writer’s growth into the genre, crystallizing opinions not always perceptible in individual works.

She also writes poetry. A collection of her poems titled The Golden Arc has been published by Writer’s Workshop, Calcutta.

Manpreet is currently teaching English at Mata Sundri College, Delhi University.